It was my better half Jennie who looked at me during the creation of Shadow Voices – at the precise stage when it seemed as though the whole project, all 1100 pages of it, was about to break me – and said, “You know, it’s a lot of trouble to go to just to prove a point”. In this she may have been right, but the point, I felt, was worth proving: the centrality of genre fiction to any …
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