As early as 2016 I knew I wanted to write the next stage of Nella’s story, continuing where I left off from the last scene in The Miniaturist, but I couldn’t find my way. I was pushing myself, and Nella, too hard, too soon, and was not ready to engage with that world which had changed my life. Even so, the fantastical place of seventeenth-century Amsterdam, and the fate of Nella Brandt, often played on my mind. I focused on …
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